Palimpsest (2025)
Medium: Interactive website (HTML, CSS, Javascript)
Dimensions: Variable
Description: Palimpsest is an interactive, text-based web experience that seeks to capture the intimate and destabilizing act of reading in the digital age. It asks: What becomes of personal, meaningful writing when the boundaries between author and algorithm begin to blur?
This piece is for people who have a complicated relationship with reading — for those who once lived inside books and now find themselves pulled in a dozen digital directions. This is for the ones who used to live inside books — who once read to disappear, and now scroll to stay tethered. For those who miss the quiet of their own mind but keep reaching for a screen anyway.
Surface Tension (2024)
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Medium: Sculptural nail forms (3D printed + hand-built), documentation photography
Dimensions: Variable
Collaborators: Lingyi Li and Miya Sheker (NYU ITP doc lab photographers)
Description: These nail sculptures explore the fingertip as a site of intimacy, labor, and cultural inscription. Informed by the aesthetics of care and adornment passed through Asian diasporic lineages, the work engages the body as interface—one that both connects and resists.
A quiet gesture toward how ornament becomes archive, and how survival becomes sculpture.
Medium: Sculptural nail forms (3D printed + hand-built), documentation photography
Dimensions: Variable
Collaborators: Lingyi Li and Miya Sheker (NYU ITP doc lab photographers)
Description: These nail sculptures explore the fingertip as a site of intimacy, labor, and cultural inscription. Informed by the aesthetics of care and adornment passed through Asian diasporic lineages, the work engages the body as interface—one that both connects and resists.
A quiet gesture toward how ornament becomes archive, and how survival becomes sculpture.
Befriending the Spiral (2024)
Medium: 3D virtual environment in New Art City
View the show here
Dimensions: Variable
Description: Befriending the Spiral is an exploration of nonlinear growth, emotional recursion, and the beauty of getting lost. It charts a path through confusion, tenderness, and repetition—not as failure, but as form. Through text, interaction, and image, it invites the reader to dwell in loops, detours, and small returns.
Nail and Filter Projects (2019-2023)
Nail and Filter Projects (2019-2023)
